My work is a visual investigation into the friction, I feel between my fluid human spirit and the rigid, high-definition structures of our world. I have noticed my real “flesh and bones” identity is fading into a state of “clinical clarity” where my traditional self is replaced by a digital filters and a pursuit of absolute perfection. I refuse to be a mere code in a system. To bridge this gap, I embrace “The-Out-of-Focus Identity”. I use the Polaroid’s slow chemical “gestation period” as a quiet rebellion against the disposable speed of the present.

Ultimately, I want to celebrate errors and imperfections. My true self is not found at a high-definition finish line, but in the unrepeatable, messy instances of life.